Performance

Percussionist Justin DeHart is performing a concert in Ōtautahi, featuring works he has commissioned from Aotearoa composers. The programme includes our recent collaboration, Catchpool valley, early autumn. Also on the programme are pieces by James Gardner, John Psathas, and more.

The performance is in UC Recital Room, the Arts Centre, Ōtautahi, 25 March, 7pm. Details and tickets here.

The annual Adam Chamber Music Festival is on in Whakatū. Yesterday, the New Zealand String Quartet performed Manaaki – co-composed with Ariana Tikao – with Bob Bickerton playing the taonga puoro part. Bob was a significant contributor to the process of making this piece, and was scheduled to perform the premiere at the same Festival in 2022 (cancelled due to COVID), so we’re thrilled to have him play it this year.

Tomorrow, 8 February, Justin DeHart plays the premiere if Catchpool valley, early autumn, for vibraphone and environmental sound. It’s been a great pleasure to work closely with Justin on this piece, and I’m looking forward to further performances, and a recording later this year.

Justin’s concert is at 2pm, Thursday 8 February, at Nelson Centre of Musical Arts. Bookings on the Festival’s website.

New Zealand String Quartet’s current tour includes Manaaki in one of its programmes, with Horomona Horo playing taonga puoro.

Concerts are in Rotorua on Friday 1 September, and Kirikiriroa on Saturday 2 September.

Details are on NZSQ’s website.

The programme also includes Gillian Whitehead’s Hine-pū-te-hue, which was commissioned for Richard Nunns with NZSQ in 2001, and Schubert’s quartet D804 “Rosamunde”.

This week, Dunedin Symphony Orchestra’s concert, Celebrating Matariki – Whakanuia Matariki, includes a performance of Manaaki, which I co-wrote with Ariana Tikao. This version is adapted for orchestral strings from the original quartet, and features Ariana playing taonga puoro. The conductor is Brent Stewart.

The image is Ariana performing with DSO last year, in Ko te tātai whetū, with Alistair Fraser and Marc Taddei.

The concert also includes music by Larry Pruden, Brigid Bisley, a new commission from Gillian Whitehead, and Mozart.

There are two performances: Saturday 22 July 5pm, and Sunday 23 July, 3pm, both at King’s and Queen’s Performing Arts Centre, Ōtepoti, Aotearoa.

Details and booking information are here.

Next week, I’m thrilled to have two premieres coming up.

On Wednesday 17 May, Nathaniel Otley and Tom McGraw are presenting the New Zealand premiere of Pariwhero, for violin and piano, in Ōtepoti. The concert is in Marama Hall, at the University of Otage, at 1pm.

Then, on Friday in Te Whanganui-a-Tara, there is a concert by bassoonist Dr. Jacqueline Wilson. She will be presenting an ongoing project of commissioning and collaboration with indigenous composers in the United States (including herself). I’ve really enjoyed working together, as she expands the project into an international kōrero. Jacqui will play the premiere of our new piece The Habits of Leaves, and I’m really looking forward to hearing it.

The concert is in the Adam Concert Room, at Te Herenga Waka Victoria University, at 12:10pm.

Neither university has especially detailed events pages, but here are Facebook events for both concerts:

Ōtepoti

Te Whanganui-a-Tara

I’m looking forward to a performance of Te Hau o Tāwhirimātea, by Al Fraser and Bridget Douglas, in Ōtautahi next week.

It’s part of the ISCM World New Music Days Festival, hosted by the Composers Association of New Zealand.

4pm, UC Arts Recital Room, The Arts Centre, 3 Hereford St.

Tickets are available here.

Dunedin Symphony Orchestra’s concert, Celebrating Matariki – Whakanuia Matariki, includes a performance of Ko te tātai whetū, with Ariana Tikao and Alistair Fraser as soloists.

The concert is on Saturday 2 July, at 7:30pm, in the Dunedin Town Hall.

Ariana and I are really happy that our collaborative work has an ongoing life, and we’re really looking forward to working with the orchestra, and conductor Marc Taddei.

Details are here.

Following the cancellation of the festivals in Nelson and Wellington, the Aotearoa New Zealand Festival of the Arts has announced that the chamber music programme will be presented online.

Manaaki, composed with Ariana Tikao, for Horomona Horo and the New Zealand String Quartet, will be available from 18 March – see the Festival’s website for details. The concert also features music by Gillian Whitehead and Amy Beach.

I’m very happy to announce performances of a new work, Manaaki, for taonga puoro and string quartet. The piece is a collaborative composition with Ariana Tikao, and it’s great to be working together with Ariana again. Thanks also to the NZ String Quartet for commissioning us, and for their assistance with the compositional process.

Manaaki is a key concept within te ao Māori, and means ‘to support, take care of, give hospitality to, protect, show respect, and generosity for others’. This piece takes inspiration from the pōwhiri process, the ritual of encounter that typically happens on marae, where mana whenua welcome in the manuhiri. This should uphold the mana of the home people as well as acknowledge and enhance the mana of the people entering.

The premiere (Covid willing) is part of the Adam Summer Celebration, in Nelson, with Bob Bickerton playing taonga puoro.

Sunday 6 February 7.30 pm, Nelson Centre of Musical Arts

There is a second performance in the Aotearoa NZ Festival of the Arts, in Wellington, with Horomona Horo.

Thursday 10 March, 7:30 pm, St Mary of the Angels, Wellington

Manaaki was commissioned by Aotearoa New Zealand Festival of the Arts