composer, sound artist
Looking forward to a live performance at Pyramid Club this week. I’m performing Filament, a new laptop piece, made up of layers of recorded sound, with the timing and balance controlled live. I’m playing support to DSLB, and There Are No More Four Seasons, from Sweden.
Friday 28 February, from 8pm. Full details on Pyramid Club’s website.
Over the last few months, I have had the great pleasure of working together with Dr Kira Omelchenko and the Te Kōkī Orchestra, developing a new work for large ensemble. We started with a melodic outline, and a few harmonic suggestions, and we have devised a short performance for the whole orchestra. It’s been exciting to hear the contributions of the players, and I’m honoured to share the creative ownership of this performance with them.
The piece is called E Toru Ngā Karakia, three movements addressed to Ranginui, Tangaroa, and Papatūānuku. It takes on the function of a karakia at the beginning of the concert, bringing the performers together with each other, and with the audience, to a place of focus for the music which follows.
The concert is in the Hunter Council Chamber, Victoria University of Wellington, Thursday 23 May, 7pm.
Booking details are here.
Percussionist Justin DeHart is performing a concert in Ōtautahi, featuring works he has commissioned from Aotearoa composers. The programme includes our recent collaboration, Catchpool valley, early autumn. Also on the programme are pieces by James Gardner, John Psathas, and more.
The performance is in UC Recital Room, the Arts Centre, Ōtautahi, 25 March, 7pm. Details and tickets here.
The annual Adam Chamber Music Festival is on in Whakatū. Yesterday, the New Zealand String Quartet performed Manaaki – co-composed with Ariana Tikao – with Bob Bickerton playing the taonga puoro part. Bob was a significant contributor to the process of making this piece, and was scheduled to perform the premiere at the same Festival in 2022 (cancelled due to COVID), so we’re thrilled to have him play it this year.
Tomorrow, 8 February, Justin DeHart plays the premiere if Catchpool valley, early autumn, for vibraphone and environmental sound. It’s been a great pleasure to work closely with Justin on this piece, and I’m looking forward to further performances, and a recording later this year.
Justin’s concert is at 2pm, Thursday 8 February, at Nelson Centre of Musical Arts. Bookings on the Festival’s website.
New Zealand String Quartet’s current tour includes Manaaki in one of its programmes, with Horomona Horo playing taonga puoro.
Concerts are in Rotorua on Friday 1 September, and Kirikiriroa on Saturday 2 September.
Details are on NZSQ’s website.
The programme also includes Gillian Whitehead’s Hine-pū-te-hue, which was commissioned for Richard Nunns with NZSQ in 2001, and Schubert’s quartet D804 “Rosamunde”.
This week, Dunedin Symphony Orchestra’s concert, Celebrating Matariki – Whakanuia Matariki, includes a performance of Manaaki, which I co-wrote with Ariana Tikao. This version is adapted for orchestral strings from the original quartet, and features Ariana playing taonga puoro. The conductor is Brent Stewart.
The image is Ariana performing with DSO last year, in Ko te tātai whetū, with Alistair Fraser and Marc Taddei.
The concert also includes music by Larry Pruden, Brigid Bisley, a new commission from Gillian Whitehead, and Mozart.
There are two performances: Saturday 22 July 5pm, and Sunday 23 July, 3pm, both at King’s and Queen’s Performing Arts Centre, Ōtepoti, Aotearoa.
Next week, I’m thrilled to have two premieres coming up.
On Wednesday 17 May, Nathaniel Otley and Tom McGraw are presenting the New Zealand premiere of Pariwhero, for violin and piano, in Ōtepoti. The concert is in Marama Hall, at the University of Otage, at 1pm.
The concert is in the Adam Concert Room, at Te Herenga Waka Victoria University, at 12:10pm.
Neither university has especially detailed events pages, but here are Facebook events for both concerts:
I have a new sound work, commissioned by the Pyramid Club, and presented on their website.
Inside Voice combines field recordings from my neighbourhood in Te Awakairangi with edited piano improvisations, and live electronic treatments of the instrumental sound.
Many thanks to the Pyramid Club crew for their support.
I’m very happy to announce that Manaaki, for taonga puoro and string quartet, is a finalist for this year’s Te Tohu Auaha/SOUNZ Contemporary award. Here is the announcement.
The work is co-composed with Ariana Tikao, and it’s been fantastic to extend and deepen that creative relationship. We’re very grateful to the New Zealand String Quartet for their support, and to Aotearoa New Zealand Festival of the Arts for financial backing, and providing an online platform for the premiere under difficult conditions. Thanks also to Horomona Horo for subsequent performances, and to Bob Bickerton for his assistance in the development process.
And congratulations to the other finalists, Reuben Jelleyman and Neville Hall.
I’m looking forward to a performance of Te Hau o Tāwhirimātea, by Al Fraser and Bridget Douglas, in Ōtautahi next week.
It’s part of the ISCM World New Music Days Festival, hosted by the Composers Association of New Zealand.
4pm, UC Arts Recital Room, The Arts Centre, 3 Hereford St.
Tickets are available here.